December is the busiest time of year for London’s hospitals. For one particular team it’s business as usual, even with the seasonal upsurge. Brian, the urology consultant, is audaciously trying to convince his superior, Mr Leffe, to swap irksome patients. Newcomer Emily has already discharged 5 people and it’s not even 10am. Her boyfriend James, a dishy doctor, is as usual engaged in charming his superiors – not to mention the eye-catching Rebecca. Feisty senior house officer Mark is wrestling with his bossy mentor Vashti to allow him to be more hands-on. And throughout it all, John, the cardiology registrar, simply can’t find a minute in the day to enjoy his roast turkey sandwich…

December is the busiest time of year for London’s hospitals. For one particular team it’s business as usual, even with the seasonal upsurge. Brian, the urology consultant, is audaciously trying to convince his superior, Mr Leffe, to swap irksome patients. Newcomer Emily has already discharged 5 people and it’s not even 10am. Her boyfriend James, a dishy doctor, is as usual engaged in charming his superiors – not to mention the eye-catching Rebecca. Feisty senior house officer Mark is wrestling with his bossy mentor Vashti to allow him to be more hands-on. And throughout it all, John, the cardiology registrar, simply can’t find a minute in the day to enjoy his roast turkey sandwich…

A father, a mother, an elder son, a daughter and a younger son. A family of five. For all appearances, a perfectly normal, happy family. But none them related

‘All my life – all your life – I’ve struggled with this: was what I did “wrong”?’ Germany, 1945. Thomas, one of thousands of children stolen by the Nazis from Eastern Europe during WWII, is under the care of Ruth, a UN relief worker. Should she try to find his parents or leave him with those he’s grown up with? The choice she makes will shape his life. London, 1990. Years later, Thomas visits Ruth. As they untangle the past, the decisions Ruth made as a very young woman are called powerfully into question. Juliet Stevenson is Ruth in this remarkable and timely new play by David Lan, former Artistic Director of the Young Vic. Immersed in the shapeshifting nature of memory and morality, it’s directed by Stephen Daldry (The Jungle, The Inheritance).

Emily Walters is an American widow living a peaceful, uneventful existence in the idyllic Hampstead Village of London, when she meets local recluse, Donald Horner. For 17 years, Donald has lived—wildly yet peacefully—in a ramshackle hut near the edge of the forest. When Emily learns his home is the target of developers who will stop at nothing to remove him, saving Donald and his property becomes her personal mission. Despite his gruff exterior and polite refusals for help, Emily is drawn to him—as he is to her—and what begins as a charitable cause evolves into a relationship that will grow even as the bulldozers close in.

Ellie is a 27-year old whose life is far from where she imagined it to be. Filled with annoying friends, a self-involved boyfriend, and a career that she can’t bring herself to pursue, Ellie feels detached from her life. When she learns that her estranged alcoholic father has died, her world is disrupted and she begins a journey that takes her to a small town in Texas. While dealing with the logistical arrangements of her father’s death Ellie has to confront what happens when the structures and safety nets we build for ourselves come undone.

Nan was born and raised in Tokyo but her family is from Myanmar. When Nan know that she was stateless and his father is planning to take her home with him, she is shocked but she know from her mother's diary that her father and mother had been involved in the 8888 Uprising about 30 years ago and had immigrated to Japan as a refugee. As told of Burmese-born Japanese singer Aung Kimura, she understood everything and she decided to go to Myanmar, where his relatives live.

Two years into the pandemic, a group of friends throw an online party with a night of games, drinking and drugs. After taking an ecstasy pill, things go terribly wrong and the safety of their home becomes more terrifying than the raging chaos outside.

Billy, a streetwise kid from New York City, is sent to Nebraska and is taken in by a Swedish farm family, the Andersons. Initially fearful and resentful, Billy doesn’t fit in, and he clashes with his new family and adoptive father (Frank Converse). Not until a terrible crisis occurs does Billy realize that, for the first time in his life, he truly belongs and is Home At Last.

Two sisters during a nation-wide lockdown. Both are left alone for the week, but are required to use the new app, Stay at Home, that monitors their every move. When their friends mysteriously begin getting murdered in sadistic ways, they discover the app itself may be behind the crimes.